We often call those artists, writers, and filmmakers whose work presents a possible future that turns out to be fairly accurate, prescient. But what is more true is that they look at the world around them, the patterns of history, the movement of social and political life, and can make an educated guess at a direction. Shu Lean Cheang's Fresh Kill is one of those films. There are many genre and subgenre labels that can be attached to it: ecofeminist, ecoterrorism, cyberpunk, noir, thriller, erotica, though Cheang herself used the suffix 'noia'. At 30 years old, it feels both set in its particular era of a world on the cusp of the world wide web, about to enter a frightening stage of late capitalism dystopia. And that...
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